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Programme from the shows as part of the Shanghai International Theatre Festival. Several things struck me. This is the biggest growth in the middle-class (ie people with excess income above the essentials) in the history of the world. So, the themes of immigrant aspirations strike a chord. Also, marriage is a big deal here, it seems to be morphing from community celebration to something more materialistic and so, arguably, less meaningful. What can we learn from this to make cultural exchange a real dialogue?
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